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Ludwig
Reisinger (b. July 15, 1863): guitar from the latter quarter
of the 19th-Century (no date), bought from a private collection
in Vienna. Reisinger was a student of Ignaz Johann Bucher. Bucher
was a student of Johann Georg Staufer who also taught C.F. Martin
before Martin moved to the US, which makes this instrument an
exceptional find.
This
instrument appears to have been put in a crate shortly after it
was made and presumably has never been played. It was stored by
the collector and handed down from generation to generation in
this 4th generation family of instrument collectors in Vienna.
The crate was tight enough that so little air entered the crate
that the wood\finish has only barely discolored..
Reisinger
was one of the most celebrated Viennese builders of the late 19th-Century.
Documentation on this builder is below. This instrument is a priceless
find for a guitarist performing 19th-Century music or an investor/collector
of rare instruments. The tone is typically sharp and brilliant.
The volume, even considering the size of the body, is loud and
the playability is very easy.
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Historical
Documentation on the Builder:
- from
Josef Zuth, Handbuch der Laute und Gitarre [Handbook for the
Lute and Guitar ] "Reisinger, Ludwig. Celebrated zither and
guitar maker. Studied with Joh. Bucher between 1877-81 Worked
with Bucher as a helper until he became independent in 1887
in Vienna. Reisinger had a particularly good reputation as a
guitar maker."
- from Die
Geigen und Lautenmacher [The Violin and Lute Makers] by Willibald
LŸtgendorff]. " Reisinger, Ludwig. Student of Ig[natz] Bucher
who worked with him from 1877 to 1887. In that last year, he
founded his own shop and soon developed a good reputation. He
also made good zithers and guitars."
- from Deutsche
und …sterreichische Geigenbauer [German and Austrian Violin
Makers]. "Reisinger, Ludwig. Student of Ignaz Johann Bucher,
Senior, who worked in that workshop from 1877-1887. In 1887
founded his own workshop. Built very good zithers and guitars."
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Instrument
Specifications:
The label
reads: "After the Luigini Legnani Model; (next line, etching of
lyre); by Ludwig Reisinger; in Wien [Vienna] Zieglergasse 33.
[address]; 1174 [handwritten instrument number].
Woods:
table: spruce
sides/back: flamed maple
fingerboard: pear (?) typical in the period
neck: unknown
(N.B. All
following measurements given in centimeters)
scale length: 640 cm.
body length: 440
total overall length: 930
body width (at heel): 60 (at middle bout): 80 (at lower bout):
75
fingerboard thickness (at nut): 15. (at 12th fret): 20
fingerboard width (at nut): 45 (at 12th fret): 55
tuning keys: mechanical; keys: ivory
suggested strings: gut (Labella) or medium gauge nylon
frets: Note: this instrument, as with most designed after Legnani,
goes up to the note d, rather than the traditional lower b of
modern instruments. Essential for playing much of the music of
the mid to late 19th Century.
neck/fingerboard:
The neck/fingerboard (as designed by Legnani and originally constructed
by Staufer) is "free floating," i.e. it is raised above the soundboard
to allow totally free vibration of the soundboard, for better
playability and to allow for adjustment of the neck. The neck
is in perfect condition (as it presumably has never had strings).
There is no warpage and no twisting of the neck.
Price:
Contact: AeviaGroup@aol.com
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