|
|
|
|
Glise
in concert at Santa Maria degli Angeli, Rome, Italy
|
|
"...pure
musical genius."
-Classica (Rome, Italy)
|
"...his
playing is strikingly individual and blends an unbelievable dynamic
range and ravishing tonal colors.
"Seldom have I been so impressed."
-Vienna Life Magazine (Vienna, Austria) |
| |
|
"A
warming mix of sure technique
and heartfelt musicianship."
"...interpretively, he's a genius."
-Kansas City Times (USA)
|
| |
Glise
at United Studios with noted producer, Thomas Ransom and engineer
Dann Haworth.
|
|
"...harmonic
subtlety, dynamic contrast, and clean execution infused with vigor
and technical virtuosity."
-Audio Magazine (USA)
|
| "The
most enlightening of all the musical performances I have hosted!"
-Brett Johnson KTVT 11 "News Magazine" (Dallas,
USA) |
"Anthony
Glise's playing
leaves nothing to be desired."
-Alte Musik Aktuell (Germany)
|
Glise with “L‘Antonella” guitar by
Johann Georg Staufer (Vienna, ca. 1828),
one of only seven guitars of this type to exist. |
|
"Wonderfully
engaging! Warm and full of dynamic color,
the music takes on a compelling intimacy in Glise's interpretation.
...a marvelous discovery!"
-Stereophile Magazine (USA)
|
|
"A
first-rate performer with admirable control over his instrument's
capabilities.
"...his playing is always highly musical and articulate."
-Classical Music Magazine (Canada)
|
Original lithograph “Anthony” by Cynthia Crowl. Reprinted
by permission. © by C. Crowl,. |
| |
|
"Glise
has rediscovered the sense of
breath and delicate phrasing
that existed in the tradition
of the 'Bel Canto'."
Les Cahiers de la Guitare (Paris, France)
|
| |
|
"Fantastically
played with glistening depth
and tasteful, yet impressive passages."
-Haller Tagblatt (Germany)
|
Anthony with several instruments from his collection of priceless
19th-Century guitars. From left to right:
Fischer (Gottlieb), Reisinger, Herzlieb, Stauffer and Reisinger. |
|
